Chords | Modal | Relative major | Relative Minor | Perfect Cadence | Imperfect cadence | Tierce de Picardie | Suspension | Consonance | Dissonance | Passing note
Chords I. VI, V, VI in Major and Minor Keys. Listen to these chords.
Bar 1-Chord 1 | Bar 2-Chord 1V |Bar 3-Chord V | Bar 4-Chord 1 Practice recognising these in the chord change exercises.
|
||
sounding as if it is in a Mode such as the Dorian mode or the other modes used in the Middle Ages by monks as the first types of musical scales, Listen to an excerpt.
|
||
Modulation to The key with the same key signature as the associated Minor key. Listen to this excerpt moving from Minor to Major. |
||
The key with the same key signature as the associated Major key. Listen to this excerpt moving from Major to Minor. |
||
A musical full stop. Listen to an example.
Chord V Chord I |
||
A musical comma, Listen to an example.
|
||
| The term used when a piece of music in the Minor key unexpectedly ends on a Major chord. Listen to an example. | ||
| This effect occurs when a note from one chord is held over to the next chord creating a discord and is then resolved by moving one step to create a concord. | ||
| Notes which sound well together. | ||
| Notes which seem to clash when sounded together. | ||
Literally what it says, a note which passes from one harmony note to the next which may be accented or unaccented.
H is a harmony note and P a passing note between two harmony notes.
|