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Answer each question by choosing the appropriate box and clicking on it to indicate your answer.
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Place a tick to indicate the cadence you hear.
01a.mp3
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Perfect cadence
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Imperfect cadence
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Interrupted cadence
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Plagal cadence
Place a tick to indicate the cadence you hear...
02.mp3
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Perfect cadence
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Imperfect cadence
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Interrupted cadence
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Plagal cadence
Place a tick to indicate the chord you hear in the excerpt.
03.mp3
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Augmented chord
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Dominant 7th
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Diminished 7th
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Added 6th
Place a tick to indicate the chord you hear in the excerpt.
04.mp3
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Augmented chord
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Dominant 7th
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Diminished 7th
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Added 6th
Place a tick to indicate the chord you hear in the excerpt.
05.mp3
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Augmented chord
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Dominant 7th
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Diminished 7th
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Added 6th
Place a tick to indicate the chord you hear in the excerpt.
07.mp3
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Augmented chord
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Dominant 7th
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Diminished 7th
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Added 6th
Place a tick to indicate the style of music you hear in the excerpt.
08c.mp3
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Mode
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Dominant 7th
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Polytonality
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Harmonic minor
Place a tick to indicate the style of scale you hear in the excerpt.
12c.mp3
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Mode
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Dominant 7th
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Polytonality
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Harmonic minor
Place a tick to indicate the style of scale you hear in the excerpt.
13.mp3
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Mode
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Harmonic minor
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Polytonality
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Melodic minor
Place a tick to indicate the style of scale you hear in the excerpt.
15.mp3
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Mode
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Harmonic minor
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Polytonality
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Melodic minor
Place a tick to indicate the ornament you hear in the excerpt.
16.mp3
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Acciaccatura
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Appoggiatura
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Turn
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Mordent
Place a tick to indicate the ornament you hear in the excerpt.
17.mp3
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Acciaccatura
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Appoggiatura
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Turn
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Mordent
Place a tick to indicate the ornament you hear in the excerpt.
19a.mp3
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Acciaccatura
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Appoggiatura
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Turn
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Mordent
Place a tick to indicate the ornament you hear in the excerpt.
18b.mp3
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Acciaccatura
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Appoggiatura
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Turn
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Mordent
An interval of less than a semitone and used frequently in modern music.
20a.mp3
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Microtone
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Tritone
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Tone row
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Mordent
Place a tick to indicate the correct term you hear used in this excerpt.
21c.mp3
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Microtone
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Tritone
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Tone row
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Mordent
Place a tick to indicate the correct term you hear used in this excerpt.
25b.mp3
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Hemiola
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Three against two
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Augmentation
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Diminution
Music with three beats in a bar moves to two beats and creates a cross rhythm at a cadence.
26c.mp3
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Hemiola
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Three against two
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Augmentation
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Diminution
Doubling or increasing the note value of a theme.
27c.mp3
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Hemiola
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Three against two
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Augmentation
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Diminution
Reducing the note value of a theme after it has been heard.
28a.mp3
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Hemiola
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Three against two
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Augmentation
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Diminution
Form mainly used for 1st movements in Concertos, Symphonies, Sonatas etc.
29.mp3
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Exposition
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Bridge
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Sonata form
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Subject
Section of music which joins two main parts of a movement together.
Transition.mp3
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Exposition
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Bridge
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Sonata form
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Subject
The initial statement of a theme or musical idea.
34.mp3
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Exposition
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Bridge
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Sonata form
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Subject
Place a tick to indicate the correct term you hear used in this excerpt, when a theme is used for the first time.
91a.mp3
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Transition
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Bridge
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Sonata form
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Subject
Section in a Fugue after subject and and played at the same time as the answer.
92a.mp3
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Fugue
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Stretto
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Counter subject
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Subject
Place a tick to indicate the correct term you hear used in this excerpt.
90c.mp3
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Fugue
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Stretto
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Counter subject
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Subject
Entries in a fugue where each part comes in one after the other quickly..
101a.mp3
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Fugue
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Stretto
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Transition
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Ripieno
A less important passage which will link to a major theme.
Transition.mp3
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Concerto grosso
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Stretto
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Transition
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Ripieno
Place a tick to indicate the type of composition you hear used in this excerpt.
75b.mp3
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Concerto grosso
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Concertino
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Transition
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Continuo
Place a tick to indicate the term used to describe the main body of the orchestra.
76b.mp3
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Solo Concerto
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Concertino
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Transition
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Ripieno
Place a tick to indicate the solo group in this style of composition.
77b.mp3
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Ritornello
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Concertino
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Rondo
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Ripieno
Place a tick to indicate the term used to describe this solo section.
79c.mp3
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Ritornello
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Air
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Episode
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Ripieno
Place a tick to indicate the section of a composition you hear used in this excerpt.
78b.mp3
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Ritornello
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Concertino
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Episode
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Continuo
Place a tick to indicate the term used to describe the accompanying instruments in this section.
80c.mp3
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Ritornello
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Aria
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Ripieno
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Continuo
Place a tick to indicate the term used to describe this style of composition.
81c.mp3
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Serial
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Leitmotif
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Mode
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Continuo
A chord or note row turned upside down is in .....
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Serial
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Inversion
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Retrograde
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Continuo
Place a tick to indicate the term used to describe this backward version of a note row.
83.mp3
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Leitmotiv
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Cadence
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Retrograde
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Continuo
Place a tick to indicate the style of composition used in this excerpt.
86c.mp3
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Leitmotiv
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Minimalist
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Harmonics
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Consort
Can be produced on a bowed string instrument by lightly touching the string at certain points.
87a.mp3
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Concertino
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Ripieno
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Harmonics
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Consort
Place a tick to indicate the term used to describe this style of composition.
88b.mp3
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Ripieno
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Minimalist
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Harmonics
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Consort
Place a tick to indicate the style of composition used in this excerpt.
89a.mp3
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Minimalist
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Ripieno
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Harmonics
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Consort
Place a tick to indicate the period of composition you hear in this excerpt.
42c.mp3
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Late romantic
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Neo-classical
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Nationalist
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Renaissance
Place a tick to indicate the style of composition used in this excerpt.
43b.mp3
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Polytonality
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Neo-classical
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Nationalist
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Jazz funk
Place a tick to indicate the period of composition used in this excerpt.
44c.mp3
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Late romantic
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Neo-classical
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Muisique concrète
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Jazz funk
Place a tick to indicate the period of composition used in this excerpt.
45c.mp3
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Late romantic
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Neo-classical
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Muisique concrète
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Jazz funk
Place a tick to indicate the period of composition used in this excerpt.
46c.mp3
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Late romantic
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Neo-classical
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Muisique concrète
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Jazz funk
Place a tick to indicate the period of composition used in this excerpt.
47c.mp3
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Late romantic
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Neo-classical
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Muisique concrète
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Jazz funk
Place a tick to indicate the period of composition used in this excerpt.
48.mp3
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Pavane
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Galliard
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Overture
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Sonata
A lively dance, usually in triple time from the 16th Century.
49c.mp3
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Suite
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Galliard
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Overture
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Sonata
Place a tick to indicate the style of composition used in this excerpt.
51b.mp3
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Pavane
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Galliard
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Overture
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Sonata
Place a tick to indicate the style of composition used in this excerpt.
50c.mp3
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Suite
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Chaconne
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Overture
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Sonata
Set of dances or pieces; on their own or part of larger work
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Suite
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Chaconne
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Passacaglia
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Overture
Composition in slow stately three beat time with a Ground Bass
53.mp3
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Suite
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Chaconne
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Fugue
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Chorale Prelude
Place a tick to indicate the style of composition used in this excerpt.
54.mp3
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Prelude
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Chant
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Passacaglia
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Chorale Prelude
Instrumental piece based on a chorale, a German Lutheren hymn tune.
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Prelude
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Tone poem
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Passacaglia
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Chorale Prelude
Place a tick to indicate the style of composition used in this excerpt.
56b.mp3
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Prelude
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Tone poem
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Passacaglia
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Chorale Prelude
Place a tick to indicate the style of composition used in this excerpt.
57a.mp3
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Prelude
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Tone poem
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Passacaglia
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Chorale Prelude
Place a tick to indicate the style of composition used in this excerpt.
58c.mp3
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Plainchant
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Mass
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Antiphonal
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Motet
Place a tick to indicate the style of vocal composition used in this excerpt.
59c.mp3
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Madrigal
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Mass
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Antiphonal
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Motet
Place a tick to indicate the style of vocal composition used in this excerpt.
61c.mp3
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Madrigal
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Anthem
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Antiphonal
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Motet
Place a tick to indicate the style of vocal composition used in this excerpt.
62c.mp3
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Madrigal
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Anthem
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Air
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Chant
Early christian; also term used for Anglican psalm and Canticle performance
58c.mp3
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Ballet
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Lied
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Air
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Chant
Place a tick to indicate the style of vocal composition used in this excerpt.
67c.mp3
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Ballet
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Lied
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Song Cycle
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Chant
Place a tick to indicate the term for this style of german song.
68b.mp3
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Ballet
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Lied
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Song Cycle
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Da Capo aria
Place a tick to indicate the style of composition this excerpt is taken from.
69c.mp3
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Coloratura
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Sprechgesang
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Song Cycle
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Da Capo aria
Place a tick to indicate the style of composition used in this excerpt.
70.mp3
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Coloratura
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Sprechgesang
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Song Cycle
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Da Capo aria
Place a tick to indicate the style of singing used in this excerpt.
71b.mp3
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Coloratura
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Sprechgesang
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Song Cycle
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Da Capo aria
Place a tick to indicate the style of performance used in this excerpt.
72b.mp3
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Coloratura
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Sprechgesang
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Song Cycle
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Da Capo aria
Place a tick to indicate the concept used in this excerpt.
21c.mp3
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Microtone
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Tritone
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Tone row
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Mordent
Place a tick to indicate the concept used in this excerpt to describe the echo effect.
79c.mp3
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Madrigal
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Mass
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Antiphonal
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Motet
OK